Friday, April 4, 2025

Spotlight of Gitel's Freedom by Iris Mitlin Lav


PHOTO SOURCE:
TYPORAMA

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GITEL'S FREEDOM
IRIS MITLIN LAV
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ALL INFORMATION IN THIS POST IS COURTESY OF JACKIE KARNETH | SENIOR PUBLICIST | BOOKS FORWARD
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A compelling historical novel about the struggles and successes of Jewish immigrants in the early twentieth century, partly based on Iris' own family history.

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March 25, 2025
She Writes Press
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ABOUT GITEL'S FREEDOM:

From an early age, Gitel questions the expected roles of women in society and in Judaism.


Forbidden from going to college and pushed into finding a husband, she marries Shmuel, an Orthodox Jewish pharmacist whose left-wing politics she admires.


They plan to work together in a neighborhood pharmacy in Chicago—but when the Great Depression hits and their bank closes, their hopes are shattered.


In the years that follow, bad luck plagues their marriage, and Gitel’s dreams are put on hold as she’s forced to be a caretaker, breadwinner and mother.


An illuminating look at Jewish immigrant life in early-1900s America, “Gitel’s Freedom” is a compelling tale of women’s resilience in the face of limiting and often oppressive expectations.

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ABOUT THE AUTHOR:

IRIS MITLIN LAV grew up in the liberal Hyde Park neighborhood of Chicago, Illinois.


She went on to earn an MBA from George Washington University and an AB from the University of Chicago, and to enjoy a long career of public policy analysis and management, with an emphasis on improving policies for low- and moderate-income families.


She also taught public finance at Johns Hopkins University and George Mason University, and in 1999 received the Steven D. Gold award for contributions to state and local fiscal policy, an award jointly given by the Association for Public Policy Analysis and Management, the National Conference of State Legislatures, and the National Tax Association.


Her first novel, “A Wife in Bangkok,” was published in 2020 by She Writes Press. “Gitel’s Freedom” is her second novel.


Lav and her husband now live in Chevy Chase, Maryland, with Mango, their goldendoodle, and grandchildren nearby.


Learn more about her life and work at: www.irismitlinlav.com 

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An Interview with

Iris Mitlin Lav

1. Why did you decide to write novels after retiring from public policy work? What is your advice for others who might wish to begin writing?

I have always loved reading novels, and during the course of my work life I found policy writing easy to do. I also liked to tell stories, which often were well received. Despite the fact that my last creative writing course was more than 60 years ago in high school, I decided to sit down and see what would happen, which resulted in my first novel. I’d advise someone who wants to begin writing fiction to sit down at their computer, start writing, and decide whether what comes out seems like a viable novel. Then find a developmental editor to help refine it.

2. What was your inspiration for “Gitel’s Freedom”?

Gitel’s Freedom is fiction, but it is based on my family’s experiences. I always marveled at how strong the real Gitel–my mother–was, dealing with all forms of adversity that kept plaguing her life, while continuing to be the best mother she could be and also concerning herself with social issues through various organizations to which she belonged. I wanted to portray what her life was like. And also to portray how women’s freedoms changed through the generations.

3. What is the significance of the locations in the book?

The Hyde Park neighborhood in Chicago was, and still is a very special place. At the time at which the novel is set, it was the only racially integrated neighborhood in the city, and 

Hyde Park High School was the only integrated school. Unlike most places at the time, interactions and friendships between races was the norm. That contrasts with the Lawndale neighborhood where Shmuel grew up and Gitel and Shmuel first lived, which was in effect a Jewish ghetto.


4. Did you do any research to accurately convey the difficulties of the time, especially for immigrants in the United States?

I did a lot of research about the Great Depression; the statistics Gitel repeatedly cites to Shmuel in the novel about the declining economy are accurate, as are the events such as the bank closings. Shmuel clearly never understood how serious the economic situation was, nor did he understand the shaky Illinois banking system with its many small,  under-capitalized banks. He likely was typical of many immigrants in that respect. Gitel understood, but as a woman she couldn’t override her husband’s poor decisions.

5. Gitel is quite resourceful and resilient in the face of limiting and often oppressive expectations. What are the consequences of the limited opportunities for women during this time period?

In this time period, women–and particularly married women–had little freedom to make choices. If they wanted to leave a bad marriage, they likely would have difficulty supporting themselves because of pay disparities between men and women and the limited type of work for which women could be hired. (Note that the wage disparities between men and women at all education levels persist today.) If a woman had children, the Chicago Public Schools made it impossible for women to work because children below high school age came home for lunch every day. Most women were dependent on a husband’s income if they were married and had children, or on an inequitable employment and pay system if they were single.


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CONNECT WITH IRIS:

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Book Blogger Hop - 4/4 - 4/10

                                                     

Question of the Week:

Who is your favorite "hobbit" from J. R. R. Toliken's Middle-Earth books? (submitted by Snapdragon @ Snapdragon Alcove)


My Answer:

I haven't read these books, but I hope they are good.



Thursday, April 3, 2025

Showcase of Shake-Speared In The Park by Joy Ann Ribar and a $20 Amazon Gift Card Giveaway

Shake-speared in the Park by Joy Ann Ribar Banner

SHAKE-SPEARED IN THE PARK

by Joy Ann Ribar

March 17th - April 11, 2025 

Virtual Book Tour

Synopsis:

A BAY BROWNING MYSTERY

When Bay Browning helps direct the Flourish College summer theater production, “Shakespeare’s Couch,” she doesn’t plan for murder at the first practice.

Shake-speared in the Park by Joy Ann Ribar
Someone wants revenge against the elite cast members, as more terror unfolds on stage and backstage with each rehearsal. What should be a lighthearted parody on The Bard and his characters is cursed from the start, even without someone shouting “Macbeth” in the theater. Detective Downing takes charge of the crime, but Bay and her puzzle-solving cohort, Jen Yoo, follow their own script behind the scenes. Cassandra, Bay’s extraordinary sister, makes her own dramatic entrance on the case. After all, Cass is now the personal assistant to one of the elites living the high life on the bluff above Prairie Ridge. How many tragic scenes will be scripted before the villain faces the final curtain?

Praise for Shake-speared in the Park:

"A clever cozy that reads like an elusive buried treasure, that, once uncovered, shines with a burnished gold. Shakespearean scholars can revel throughout, as a college summer play, Shakespeare’s Couch, features a myriad of familiar characters, representing their plays. A costume party with more Shakespearean identities milling about provides sheer fun and frolic. The best part, however, is the thorough depiction of humanity, characteristic of Ribar’s writing. Even secondary characters come alive with strengths and foibles that delight and endear."
~ Saralyn Richard, author of the Detective Parrott mystery series, Bad Blood Sisters, and Mrs. Oliver’s Twist

"Ribar serves up wicked, clever fun in 'Shake-speared in the Park,' the second installment in her Bay Browning mystery series. A young man with much promise falls from a stage-prop balcony. He's dead when he lands, but that's not what killed him. Was his brother, the wayward son, involved? His best friend? Or one of the wealthy equestrian crowd? Then, another death, this time in a greenhouse. It's like 'Knives Out' meets Agatha Christie. Suspects abound. Two sisters—one a killer magnet, the other an ex-con—are determined to find out. The escalating tempo keeps readers on the edge of their seats until the end!"
~ Laurie Buchanan, author of the Sean McPherson crime thriller novels

"In this fast-paced mystery and nod to Shakespeare, the murderous shenanigans would please the Bard himself! Professor Bay Browning’s play rehearsals go awry with deadly weapons, poisons, and just about anything else a playwright might use to scare or 'off' someone in dramatic fashion. As in 'Romeo & Juliet,' differences of class and money between families put a small Wisconsin college and Bay in the crosshairs. Replete with a twisty costume party, this novel opens the curtain on an entertaining theater production with actors poised to take their final bow, pun intended. Ribar balances scenes effectively between amateur detectives Bay and her sister Cass, the latter a plant aficionado and former prison inmate. To borrow from the Bard, 'To read or not to read?' The answer is easy: This is fun."
~ Christine DeSmet, author, Fudge Shop Mystery Series and Mischief in Moonstone Series

Book Details:

Genre: Blended Mystery: Traditional Mystery with Paranormal Twists
Published by: Wine Glass Press
Publication Date: February 2025
Number of Pages: 359
ISBN: 9781959078272 (ISBN10: 1959078275)
Series: Bay Browning Mysteries: Book Two
Book Links: Amazon | Barnes & Noble | BookShop.org | Goodreads

Read an excerpt:

Carillon Tower Park was buzzing with activity when Bay arrived for rehearsal. Desmond Carver, the director, was only steps ahead of her, so she dashed to catch up. Bay smiled at his signature bobbing walk on those extra-long legs that might belong to a pro basketball player instead of a theater professor.

“Desmond, hey. Looks like the students are psyched about the show.” Bay nodded toward the outdoor theater area where a portable tech booth had been set up. People inside were testing spotlights and sound effects.

The stage was midway through set construction showing false stone walls and two framed second story balconies. Someone was sweeping the stage free of pine needles, while a couple of others were taping the floor where furniture would go. Bay waved at Jen Yoo, her art professor friend, who was painting a flat with some students.

“It’s a positive sign when they show up early. Believe me, once we’re in the trenches, some will find reasons not to show up at all.” Desmond set a stack of scripts on one of the seats near the middle of the theater. “Actors,” he said using air quotes around the word.

Bay’s optimism didn’t dwindle. She was pleased with the turnout for auditions, considering it was a summer production, meaning many students were gone or working. The fact she and Desmond had backups for the main roles revealed enthusiasm for the show.

Desmond handed her a theater badge and key for the rooms beyond the stage. “By the way, in case I forget later, thanks so much for volunteering to help with the play. It can be a thankless job.”

Bay grinned but wondered why Desmond was being so pessimistic. He wasn’t close to retirement, maybe ten years older than Bay, and she’d pegged him as carefree and upbeat. Then again, in the two years she’d been a Flourish professor, she’d had a handful of short conversations with him.

At seven p.m. on the dot, the clock tower bell rang out the hour and Desmond spoke through a megaphone he’d brought to rehearsal. “Let’s get going. We start on time. We end on time. That’s my number one rule.”

To Bay’s surprise, every student hushed without delay. She’d heard Desmond was respected, and he knew these students from past plays. Many were seniors doing a final postgraduation show before entering the real world.

“For the first few rehearsals, we’re going to need to work around the set builders and the tech crew setting up lights and testing sounds. This isn’t a typical show. Summer theater is a shortened schedule, so we’re putting an entire production together in short order.” Desmond handed printed schedules to Bay, who passed them out to the actors and crew.

It wasn’t quite June, thankfully, because performances were marked for the last week of that month, just past the celebration of Midsummer on June twenty-fourth.

“You’ll notice on the schedule that all lines must be memorized by June tenth. That’s two weeks, my friends. Let’s make it happen.” Desmond used his teacher voice. Even Bay snapped to attention.

“Places everyone. We’ll start with the prologue and go straight through from act one as far as we can until eight-thirty. The script notes some introductory music, but we won’t add that for a couple of weeks. Proceed, Kitt.”

Bay and Desmond watched from the back third of the theater, taking notes as lines were delivered, stopping when necessary to help with enunciation or cadence. At the end of the second act, Desmond announced a seven-minute break, then headed to the tech booth to talk about lighting.

Bay noticed he seemed nervous about the tech crew being run by an intern. His normal production partner, Leo, another theater professor, was spending summer break in New York City at a Broadway intensive master class. Leo recommended a theater grad student from Madison to take his place.

As lights flashed on and off in different positions, Bay watched the techies at the booth. Desmond pointed at the script as intern Evan made notes, then flashed the light Desmond asked for. Bay noticed Evan’s body posture: alert, attentive, like a golden retriever eager to please. In contrast, Desmond alternated running a hand through the twists on top of his head, placing his hands on his hips, then rubbing the back of his neck before repeating the moves again.

“That looks intense.” Jen Yoo was sitting by Bay, a clean paint brush in one hand.

“Hey, Jen. Yes, I’ve never seen this side of Desmond. How about you?”

Jen shrugged. “I haven’t worked on a summer production in some time. The younger Desmond was laid-back. But some of us lose our patience as we age. Thankfully, I don’t have that problem.” She snickered.

Bay turned her full attention to Jen. “Why are you working on this production, anyway?”

“Two reasons. One: It fulfills my volunteer hours for the whole year. Two: It’s a show you wrote. I’m proud of you and want to see how it turns out.” Jen leaned her head over to meet Bay’s.

With break wrapping up, chatter from the stage echoed around the quiet outdoors. When a commotion ensued, Bay chalked it up to high energy from a new show, the honeymoon period. But then a loud thud sounded, someone began shrieking, and a cacophony of shouts and running feet ensued.

Bay, Jen, and Desmond ran to the stage, with the tech crew close behind. The adults vaulted onto the stage where the lead actor, Talon Hunt, lay crumpled in a twisted heap.

“Everybody back up,” Desmond shouted.

“He fell off the balcony,” one of the students called out.

“I didn’t mean to. We were goofing around, practicing a duel.” Jackson Lange knelt over Talon, his chest heaving, his face distraught.

Desmond, Jen, and Bay knelt beside Talon too, and Jackson stood up and looked away. Desmond checked Talon’s pulse, shook his head, listened for a heartbeat, and shook his head again. Bay called 911.

“Let’s straighten him a bit so I can do CPR.” Desmond motioned for Jen and Bay to get on either side of his legs and they gingerly turned him.

Desmond was still administering chest compressions and breaths when the emergency team arrived to take over. Thirty minutes later, the EMTs pronounced Talon dead.

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Excerpt from Shake-speared in the Park by Joy Ann Ribar. Copyright 2025 by Joy Ann Ribar. Reproduced with permission from Joy Ann Ribar. All rights reserved.

 

Author Bio:

Joy Ann Ribar

Joy Ann Ribar is an RV author, writing on the road wherever her husband and their Winnebago View wanders. Joy’s cocktail of careers includes news reporter, paralegal, English educator, and aquaponics greenhouse technician, all of which prove useful in penning mysteries. Her cozy Deep Lakes Mysteries, feature baker/vintner Frankie Champagne, who moonlights as an investigative reporter. Joy’s Bay Browning Mysteries blend edgy, traditional, and paranormal elements twisted around classical literary themes. Joy loves to bake, read, research wines, and explore nature. Her writing has received awards and recognition from WWA, PenCraft Book Awards, Book Fest, Reader’s Favorite, and Chanticleer Cozy and Not-So-Cozy awards.

Catch Up With Joy Ann Ribar:

JoyRibar.com
Joy's Substack
Amazon Author Profile
Goodreads
BookBub - @ribarjoy
Instagram - @authorjoyribar
Facebook - @JoyRibarAuthor

 

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Wednesday, April 2, 2025

Spotlight of Seren by Peter Gooch

PHOTO SOURCE:
TYPORAMA

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SEREN
PETER GOOCH
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All information in this post is courtesy of Kristen Ludwigsen of MindBuck Media Book Publicity.

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"Seren is more than the story of a man’s obsession with a painting.

The novel also chronicles the on-again, off-again love story of Moss and Claudine — two social misfits who team up to unravel the secrets of the muse, and in the course of events discover just how complicated love can be."

**ABOVE TAKEN FROM NETGALLEY**
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April 8, 2025
Apprentice House
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PRAISE FOR SEREN:

“A page-turning thriller, a meditation on art, and a touching exploration of second chances, Peter Gooch’s Seren is a novel that does all that.” — Adam Prince, author of The Beautiful Wishes of Ugly Men

Seren is at once a sharply comic satire of the art scene, a canny meditation on the nature of art, and an entirely absorbing murder mystery. — Arnold Johnston, novelist, playwright, poet, and author of Swept Away, The Witching Voice and Where We’re Going, Where We’ve Been


“This novel skewers the pretensions and infighting of the art world in the context of a thoroughly satisfying mystery that will make readers laugh and think.” — Deborah Ann Percy, fiction writer, playwright, and author of Invisible Traffic and Dream Time (Susan Smith Blackburn Award Finalist) 


Seren is a tour de force. Rooted in an archetypal battle between darkness and light, the plot line quivers with energy and mystery.”  — Phaedra Greenwood, author of Beside the Rio Hondo and coauthor of Those Were the Days: Life and Love in 1970s New Mexico
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ABOUT SEREN:

It’s 1978, and the art scene in the Midwest is booming. 

Successful Detroit gallery owner Fairchild Moss secretly yearns to return to his first love—painting.

When he comes into possession of a mysterious masterpiece, his life takes an unexpected turn.

Perplexed by the imprint of a nipple in the thick paint, Moss is determined to unravel the painting’s mystery.

So begins a darkly comic quest to uncover the story behind the eerie masterpiece and to locate the elusive muse who inspired it.

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ABOUT THE AUTHOR:

Peter Gooch is a painter, writer, and former art professor living in New Mexico.

He is the winner of the Bosque Publishing Prize for Fiction, and his short fiction has appeared in numerous literary magazines and online including The New Guard, Bosque Publishing, Etched Onyx, and Light and Dark Literary Magazine. Originally from Ann Arbor, Michigan, he holds an MFA from Western Michigan University.

He resides in Corrales with his wife, Dr. Sharon Ransom. 

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AUTHOR'S WEBSITE:

https://www.petergoochauthor.com/ 

 

Tuesday, April 1, 2025

Spotlight of The Serpent Bearer by Jane Rosenthal


PHOTO SOURCE:
TYPORAMA
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THE SERPENT BEARER
JANE ROSENTHAL
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ALL INFORMATION IN THIS POST IS COURTESY OF PEYTON ANGELO OF SPARK POINT STUDIO.
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Dramatic and glamorous.

Part WWII spy thriller, part romance, and part tale of buried family secrets.

Rosenthal returns after the success of her debut, Del Rio, a 2021 American Fiction Awards Winner.
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March 11, 2025
She Writes Press

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ABOUT THE SERPENT BEARER:

It’s 1941 in a small Jewish community in South Carolina, and Solly Meisner, a recently returned Spanish Civil War veteran of the Abraham Lincoln Brigade, has barely settled in after his return home when he risks his life after discovering powerful Nazi sympathizers are working behind the scenes in his new hometown.

Determined to stop them, he signs on with a newly formed U.S. spy agency.

His first assignment: travel to the Yucatan and infiltrate a group of German spies and collaborators—including Estelle, a beautiful British woman he fell in love with in Spain, and whom he fears may have betrayed him.

In the Yucatan, Solly encounters a band of European exiles, not all of them who they claim to be.

With his contacts dropping like flies, danger lurks at every turn. 

But with the Nazis only a few hundred miles from the U.S. coast and making plans for an invasion, there is no time to lose, and Solly trusts no one to track them down and stop them but himself.

If he fails, the world he once knew will be gone forever—and the people he loves with it.

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PRAISE FOR THE SERPENT BEARER:


The Serpent Bearer is an elaborate, exciting. . . gripping thriller set amid World War II history.”—Foreword Clarion Review

“Each narrative voice is distinctive, and the characters and settings throughout are beautifully drawn. . . A consistently compelling war story. . .”Kirkus Reviews

“Uncertain loyalties, globe-trotting suspense, and diverse characters with rich backgrounds power Rosenthal’s second novel . . . . an engrossing journey.”—BookLife Review

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ABOUT THE AUTHOR:


Jane Rosenthal studied creative writing at San Francisco State University.


She worked for NPR and California Public Radio before teaching English in public high schools in Oakland, California.


She grew up Jewish and southern in Charlotte, North Carolina, and now resides in Santa Fe, New Mexico, with her husband, astrophysicist David Hollenbach.

Monday, March 31, 2025

Spotlight of Twyla & the Warbirds: Family Lost By T.W. Bellen

PHOTO SOURCE:
TYPORAMA
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TWYLA & THE WARBIRDS
T.W. BELLEN
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ALL INFORMATION IN THIS POST IS COURTESY OF THE AUTHOR AND HENRY ROI OF https://henryroipr.com.
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BASED UPON AND INSPIRED BY REAL WOMEN AND REAL EVENTS.  A UKRAINIAN-AMERICAN STORY

"I am a fighter pilot.   I am Twyla Campbell.   I chase death for a living and it chases me right back."
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November 25, 2024
TWB Publishing 

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ABOUT TWYLA & THE WARBIRDS:

For Twyla Campbell, a spirited redhead born in Odessa and raised in the secluded town of Boonville, California, life has always been a "poorly shuffled deck." 

After losing her family in a freak accident, the neighbor boy picked up the pieces and gave Twyla her life's passion--flying. 

In 1941, Twyla and the rest of the United States were thrust into war and death as the attack on Pearl Harbor rocked the world.

Right in the middle of the action was Twyla, a young pilot determined to contribute the the war effort.

The only problem? She's a woman born before her time.

 As the U.S. readies to fight, Twyla perseveres alongside the other brave members of the Women Air Force Service Pilot struggling to break into the male-dominated military. But When tragedy strikes again, Twyla lands in a position she could never have imagined--inside one of the only all-female fighter squadrons of World War II. Pushing past her limits while facing death at every turn, Twyla may just find the family she's always searched for among the gunfire and suicide sorites.

Now, Twyla is ready to tell her story. But is the world finally ready to listen?

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PRAISE FOR TWYLA & THE WARBIRDS:


“Very little has been written about the female pilots who flew during the war, a story as fascinating as it is unfortunately neglected. Bellen provides a captivating portrayal of the risks these women took and the sacrifices they made, a service not always duly recognized. In addition, the depiction of the aerial combat is electrifying—the author draws these scenes with cinematic vivacity.” —Kirkus Reviews

"It occurred to me whose writing style this reminds me of Harper Lee. Not bad."  —Rick Stone author, "Becomes the Wind” 

Historical fiction fans rejoice! Twyla will join the battle for the skies and the breathtaking beauty and despair that follow will keep you glued to your seat as you turn the pages of this book of war, sisterhood, passion and love.Cas Donovan, Motion Picture Executive
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ABOUT THE AUTHOR:


T.W. has been a writer and filmmaker for 30 years. He co-wrote TURRET, a WWII thriller, in development now.

As cinematographer and co-producer, T.W,’s short film, GETTING HER, is currently screening in film festivals around the world and collecting many awards.

T.W. is a California College of Art graduate, with a degree in film/drawing and art history.

When not writing, T.W. works much like a carny in Los Angeles, New York and Northern California, as a Director of Photography in television.

Lately, T.W. filmed Amazon’s AS WE SEE IT, HBO’s Emmy wining comedy, VEEP, GOOD GIRLS, RISE and ABOUT A BOY for UNIVERSAL/NBC. Most recently, T.W. could be found in NYC on Apple TV’s series DEAR EDWARD (based on the book)

Lifelong student of history and aviation, T.W. grew up at naval bases Kwajalein, Honolulu and China Lake, California. 

In 2003, T.W. was at Kitty Hawk, NC for the 100th anniversary of powered flight with a motion picture camera in hand. 

Are there enough stories about badass women pilots?  Never!
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